David Hacker

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David Hacker is an American sculptor and painter.

Sculpture Door by David Hacker at Murdoch Collections, Portland, OR, 2009. Image courtesy of Phil Bard, 2010.

Early life

Born David Glover in Portland, Oregon in 1946, Hacker served as a U.S. Marine on the front lines of Vietnam until 1969. His art studies were interrupted and resumed when he returned to the US. Like many Vietnam veterans, Hacker brought home with him emotional and physical scarring, and this pain is often communicated in his works today.These problems can be referred to as "shell shock".

The Prophet, Charcoal and Oil, 2009 by David Hacker

Education

Hacker received his BA in Fine Arts from the University of California, Santa Barbara (UCSB) in 1979, and received his MFA at UCSB in 1984. He was chosen to attend the infamous artists' retreat Skowhegan School of Painting and Sculpture in 1984. He later attended art therapy courses at Marylhurst University and studied art education at the Teachers College of Columbia University.

Work

In February 2009, New York Post writer Richard Johnson reported on Page Six that actor Robert Downey, Jr. was dining at The Cub Room in SoHo when he spotted Hacker's welded sculpture Twisted Heart. When Downey, Jr. was told the artist's inspiration was a line from a T.S. Eliot poem, Downey said, "Well, that gives new meaning to the word 'twisted.' " ^[1]
Hacker’s self-described rootlessness and melancholia and his search for knowledge have kept him constantly moving between Portland and New York, which he has done twenty-four times. This sets up an interesting opposition force in Hacker’s life—he works with steel, one of the most immoveable and permanent of all media, yet finds himself very portable as he uproots from one coast to the other.
In 1986, Hacker curated a benefit for El Bohio Community and Cultural Center in New York called Inside/Outside. Artists he selected for the exhibit included Bryan Hunt, Arden Scott, Tom Bills and John Chamberlain. The benefit "kicked off with an opening of historic proportions: 3,500 people showed up for a barbecue dinner on June 1. They ate birds cooked on grills hidden within a sculpture, St. Peter's Barbecue, by Mr. Hacker, a 25-foot-high baroque concoction of welded scrap iron," wrote the New York Times on June 13, 1986.^[2] The exhibit also caught the eye of New York Magazine's arts writer Edith Newhall in its June 2 edition.^[3]
A [Pollock-Krasner Foundation] Grant recipient, Hacker was commissioned to weld a steel gate for Alan Moss Studios of New York, situated on Lafayette Street opposite the Joseph Papp Theatre. His sculpture and painting were also selected for the set in the 1988 release of The Good Mother, directed by Leonard Nimoy and starring Diane Keaton, Liam Neeson and Jason Robards.^[4]
Hacker’s sculpture and paintings were discussed in End Papers, Drawings 1890-1900 and 1990-2000, where he was selected to appear among artists whose work helped define life at either end of the twentieth century. His work is highlighted among luminaries Paul Cézanne, Emile Nolde, Edvard Munch and Auguste Rodin as well as Richard Serra, Jim Dine, David Smith and Jasper Johns. The reviewer writes, "Intensely emotional is the work of David Hacker. Conveying velocity, strength and physicality, the artist relies upon a totally abstract format to achieve expressive feeling…Almost bursting with energy, a work like Du Dancer conveys a sense of forcefulness that is barely contained by the welded steel frames Hacker fashions around his drawings. Raw vitality literally explodes across the surface…”^[5]
For Welded! Sculpture of the 20th Century at the Neuberger Museum of Art in 2000, his works were featured among the welding elite, including such notables as David Smith, Mark Di Suvero, Anthony Caro and Judy Pfaff.^[6]
Hacker’s work was highlighted in Architectural Digest in 2000 and Vogue Magazine in 2002. As well as private collections, Hacker’s sculpture and paintings have been shown at the Neuberger Art Museum and the Anne Plumb Gallery. His influences are Willem De Kooning, Lucian Freud, John Chamberlain and Richard Stankiewics and he lists Auguste Rodin, Paul Thek and Frank Auerbach among his current favorites.
In 2007, Hacker's work was displayed with other prominent Portland artists in Construct/Re-Construct, a show that "de-constructs (if you will) the physicality of the creative building process, and explores the dialog between an artist and his or her materials. The list of participating artists promises a complex and interesting series of installations," according to Portland's PORT website.^[7]
As impermanent and unsettled as his homes are between Portland and New York, Hacker’s reading collection serves as a ready constant companion. Lines from Emily Dickinson, Charles Dickens and John Milton work their way into conversations with him, and he often carries a well-worn copy of philosopher Hannah Arendt.

Poetry

An untitled poem Hacker wrote in 2009 (Reprinted with permission of the artist):

Never leave until you leave
I keep laughing because I
Haven’t shot myself
Redemption is a private show

Exhibits

2009

Stealing Home, Murdoch Collections, Portland, OR Sculpture, painting and drawing exhibit

2007

Construct/Re-Construct, Cathedral Park Place, Portland OR Construct/Re-Construct review
The Ogle Gallery, Portland, OR
Katayama Collection, Portland, OR^[8]

2004

Katayama Collection, Portland, OR
Hacker at The Auk Gallery Hamden, NY

2000

Welded! Scuplture of the 20th Century, Neuberger Art Museum, Purchase, NY
End Papers, Neuberger Art Museum, Purchase, NY

1992

Anne Plumb Gallery, New York
Silver Mines Art Center, New Canaan, Connecticut

1988

Kutztown Arts Program residency

1987

David Hacker/Mary Waranov, Bond Gallery, NY
Anne Plumb Gallery, New York

1986

Indoor/Outdoor, Curated by David Hacker, El Bohio Community and Cultural Center, New York
Skowhegan: Ten Year Retrospective, 1975–1986, Leo Castelli Gallery, New York

External links

References

^ NY Post Iron Man Likes the Iron Heart
^ New York Times El Bohio Benefit
^ New York Magazine
^ Good Mother Art Dept.
^ End Papers review, NY Times
^ NY Times Review
^ PORT
^ Hacker Artwork

McGill, Douglas C. (June 13, 1986). "Art People". New York Times Arts Section.

"The day I loaded my camera with slide film was the turning point in a life-long love affair with photography. I found the whole process fascinating. My dream was to achieve the level of quality I’d seen in the vibrant, colour-rich landscapes, portraits and architectural images that I’d seen in magazines, like National Geographic, which also inspired me to travel with my camera.

A few years later this vision was re-awakened by a different world of photography, produced by photographic artists like Michael Kenna, Ernst Haas and, more recently, Hiroshi Sugimoto, William Eggleston, Asako Narahashi and Saul Leiter I also have love for Andy Warhols work, never affraid to try different methods of print. Their images showed another way, not completely driven by technical perfection, but with a more evolved eye and a sense of artistic composition.

I continued to experiment with a wide variety of cameras, 35mm, digital slr, medium and large format cameras, and many different types of film.

Almost two decades on, my camera has taken me to Hong Kong, China, Thailand, Japan, Italy, Dubai and the US.    I’ve been fortunate enough to have my work printed in over 30 photographic magazines, both here in the UK and abroad, and to have had photographs exhibited in major galleries like Eyestorm in London and the Photographers Gallery in Los Angeles.

Between 2000 - 2005 I had been published over 30 times in different photography magazines, I, also, got my hands on all the latest digital cameras and printers when the digital revolution took place,as I was in the fortunate position of being in a publishing company that had started the first Pro digital photography magazine.

In 2004 I was awarded the Hammond-Whitely Photographer of the Year award.

In 2005 Nick at Harris Interiors showed me a book by Michael Kenna called Japan, which kick started a whole new outlook on what I was doing with my cameras. I would like to thank Nick & Caroline for their wise direction over the years. I count myself very lucky to have had their time.

In 2006 I began work on my ‘Through the Viewfinder’ series.

In 2007 I was offered funding for a gallery of my own.   In May of that year, Gallery 57 opened in Bournemouth, a showcase, not just for my own work, but the work of photographic artists, whose work I admire. I had to close the gallery at the end of 2008, it just felt the right thing to do considering the economic situation and to concentrate on number one ie me to pay the bills. I still love galleries and admiring other artist work, I still pop into galleries all the time on my travels around the world, maybe its something I will try again in later life.

In October 2007 I had my first exhibition in Harris Interiors, with my 'Through the Viewfinder' collection, which was a great success.

Now in 2008 a great start with Eyestorm, a large commission, plus an interesting project for the east end of Oxford Street, with a commission from another art consultant.
plus new Los Angeles and New York series now featured on Eyestorm.

My work continues to evolve and I never tire of finding new ways to capture that elusive shot, on the ground, on a boat, in a cherry picker or up in the plane. Or normally its right there in front of me."

Durdle

Butterfly Hong Kong

Confused

Slim Aarons

Slim Aarons, born George Allen Aarons (October 29, 1916, Manhattan - May 29, 2006, Montrose, New York), was an American photographer noted for photographing socialites, jet-setters and celebrities.

Photography career

At 18 years old, Aarons enlisted in the U.S. Army, working as a photographer at West Point and later serving as a combat photographer in World War II and earning a Purple Heart. Aarons said that combat had taught him that the only beach worth landing on was "decorated with beautiful, seminude girls tanning in a tranquil sun."
After the war, Aarons moved to California and began photographing celebrities. In California, he shot his most praised photo, Kings of Hollywood, a 1957 New's Year's Eve photograph depicting Clark Gable, Van Heflin, Gary Cooper and James Stewart relaxing at a bar in full formal wear. Aaron's work appeared in Life, Town & Country and Holiday magazines.
Aarons never used a stylist, or a makeup artist.
Aarons made his career out of what he called "photographing attractive people doing attractive things in attractive places." "I knew everyone," he said in an interview with The (London) Independent in 2002. "They would invite me to one of their parties because they knew I wouldn't hurt them. I was one of them." Alfred Hitchcock's film, Rear Window, whose main character is a photographer played by Jimmy Stewart, is set in an apartment reputed to be based on Aarons's apartment. He died in 2006, and was buried in Mount Auburn Cemetery in Cambridge, Massachusetts.